THE HISTORY OF THE CIVIL WAR

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• BRIEF HISTORY OF A FAMILY

  A middle-class family's fate becomes intertwined with their only son's enigmatic new friend in post one-child policy China, putting unspoken secrets, unmet expectations, and untended emotions under the microscope.

• SHORT FILM PROGRAM: BLACK HISTORY

  Unser neuer Film "SHORT FILM PROGRAM: BLACK HISTORY" wird Sie bald mit seiner großartigen Geschichte überraschen. Wir haben noch keine vollständige Beschreibung, aber wir können Ihnen versprechen, dass sie bald erscheinen wird. Eine fesselnde Handlung, ungewöhnliche Charaktere und unerforschte Geheimnisse erwarten Sie in unserem Film. Bleiben Sie dran für etwas Besonderes - wir werden jede Minute mehr Details enthüllen!

• THE GREAT YAWN OF HISTORY

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• RETELLING HISTORY AND PLACE

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• SUBVERTING THE HISTORY: PROGRAMME 1 - MEMORIES OF HISTORY, STRUCTURES OF VIOLENCE

  Unser neuer Film "SUBVERTING THE HISTORY: PROGRAMME 1 - MEMORIES OF HISTORY, STRUCTURES OF VIOLENCE" wird Sie bald mit seiner großartigen Geschichte überraschen. Wir haben noch keine vollständige Beschreibung, aber wir können Ihnen versprechen, dass sie bald erscheinen wird. Eine fesselnde Handlung, ungewöhnliche Charaktere und unerforschte Geheimnisse erwarten Sie in unserem Film. Bleiben Sie dran für etwas Besonderes - wir werden jede Minute mehr Details enthüllen!

• SUBVERTING THE HISTORY: PROGRAMME 1 - MEMORIES OF HISTORY, STRUCTURES OF VIOLENCE

  Solidarity film programmes to support people in Ukraine and those displaced in the conse-quence of the war organised by a peer-to-peer network of artists residing in Ukraine, Belarus, Rus-sia and Europe. Proceedings from the screenings will be donated to the organisations delivering medical and humanitarian aid or to the organisations helping the people displaced from Ukraine in the result of war. Programme 1 - Memories of history, structures of violence Each film in the programme addresses a different fragment of life, a different space, where violence and the ways of dealing with its consequences reverberate. These spaces can be domestic and public, a shared history and a personal memory, mental spaces and land-scapes. Authors highlight issues of the society that, on the one hand, had an open war zone on the eastern side, and on the other, has been reworking the positions towards its history and political alignments. (Text: Mikhail Lylov) Dana Kavelina A letter to Turtledove, Ukraine 2020, 20 min, OVP+ENGsub In her film, Dana Kavelina, juxtaposes historical footage of coal mining in Donbas region with her own graphic work, poetry and found footage of the Russian military invasion into Donetsk and Luhansk in 2014. The film constructs an argument for a tragic intimacy between the body of earth and human subjectivity, it shows a continuity existing between extractivism and militarism. Kavelin-a's film-poem is not a plea for peace, but for love, which cannot be realized without the body that has been taken away and torn apart by war. Yarema Malashchuk and Roman Himey So They Won't Say We Don't Remember, Ukraine 2020, 24 min, No Dialog The video work is about both hidden and visible elements of the post-industrial landscape of Don-bas. In the film, locals, artists, and curators traverse the surface following one of the underground routes of the Novator mine. The ending point of the procession is the monument to the dead miners located just above the site of the underground accident, which led to the death of the workers and the subsequent closure of the mine in 1977. During the procession, people walk through the city, plowed fields and bushes connecting the ground and the underground space where soil and people are intertwined in the inextricably linked choreography of the common. Oleksandr Steshenko, Kateryna Libkind, Roman Himey, Yarema Malash-chuk, Pavlo Yurov In Memory of Antonina Nikolayevna on Lost Love, Ukraine 2018, 30 min, OVP+ENGsub The film is based on a screenplay written by Olexandr Steshenko - a person with Down syndrome and a big admirer of soap-opera genre. With a support of artists and filmmakers, one of his scripts was filmed. The story presents an estranged, yet affective, view on love drama, which escalates into revenge and domestic violence by conventions of a “normal” society. (Film contains instances of extreme lexic). Mykola Ridnyi NO!NO!NO! (2017), 22 min, OVP+ENGsub The main protagonists/heroes of the film are young people from Kharkiv, a city located in the East-ern part of Ukraine. Reaching their early twenties coincided with the breakout of the war in the neighbouring region of Donbass. A LGBT activist and poet, a fashion model, a group of street art-ists, a computer game programmer – all of them are artists or working in the creative industries, typical for a peaceful life of a big city. However, the proximity to the war effects each of the char-acters and their activities. The protagonists react and reflect the political events through their specif-ic relationships with the urban space and the reality of the social media.

• SUBVERTING THE HISTORY: PROGRAMME 3 - CIRCULATIONS

  Infrastructures are there to support, they deliver, grant access and facilitate social metabolism. Roads, bridges and utilities are part of the urban geography and choreograph the way bodies and things move. A bridge - is it a symbol of modernisation or a tool of colonisation? Does the bridge connect, or does it actually divide? People's dependence on the material and virtual networks in daily life makes infrastructures a political site. (Text: Mikhail Lylov) Anna Engelhardt “Adversarial Infrastructure”, UK 2020, 10 min, OVP+ENGSub Adversarial Infrastructure is an investigation into the history of the occupation of Crimean. Dissecting the Crimean Bridge, the crystallised artefact of Russian colonial violence, this project aims to assemble the new image of logistical infrastructures as a type of hybrid warfare. Oleksiy Radynskiy “The Film Of Kiev. Episode One.”, Ukraine 2018, 8 min, OVP+ENGSub Podilsky Bridge in Kyiv is one of the world’s largest abandoned construction sites. The locals have adapted the uncompleted bridge to their own needs — from sports and leisure to risky parcour-style attempts at getting from one river bank to another. In the meantime, Kyiv’s mayor Vitaliy Klitschko is trying to figure out a way to complete the unfortunate project — with a little help from German politicians… Oleksiy Radynskiy “Circulation” (2020), 11 min, no dialog Camera observes the Kyiv’s moving landscape by becoming a part of the city’s circulation. Behind a train window pass roads, bridges, passageways, stations and industry. Focusing on the city’s infrastructure, the film brings to attention what typically stays in the background. Ekaterina Selenkina “Detours” Russia (2021), 73 min, OVP+ENGSub A sprawling meditation on the choreography of bodies in Moscow's urban landscape, Detours depicts a new way of dealing illicit drugs via the dark web, the layering of physical and virtual realities, as well as a reflection on the poetics and politics of space.

• - SHORTS 6 - FAILING THE HISTORY CLASS

  This program offers myriad ways of how queer filmmakers re-write dominant patriarchal, colonial and normative histories, mixing together voice-overs, found footages, fictionalization and transmedial performances. They appropriate these gaps to cross from one medium, one gender, one timeline, one nation, one species into another, offering a constant process of redefining.